Abbott Handerson Thayer
Alexander Solzhenitsyn
Alfred Stieglitz
Andre Tarkofsky
Antonio Mancini
Auguste Rodin
Carl Jung
Charles Baudelaire
- A Love of Labor
- A Necessary Retreat, Paintings of Cape Cod
- Analogy and Lyricism
- Armstrong and The Precedence of The Imagination
- Ars Memoria
- Art and the waking dream
- Baudelaire’s Rockets
- Color Melody and Memory
- Does it have life?
- Flight- Ascension of Image, Memory, Beauty
- Immensity and the Largeness of Effect
- Inness’ Unity of Vision
- Lacuna
- Multum in Parvo
- On Risk and the Attentive Mind, Part 2
- On the Coast of Maine
- Open Imagination (Bachelard, Rimbaud and Baudelaire)
- Reciprocal Analogy, Baudelaire’s Imaginative Instinct
- Symbolic Forms
- The Archetype of Inspiration
- The Artists’ Concern for Analogical Relationships
- The Transformative Aspect of Matter
Claude Monet
- Artists and Their Gardens
- Envisioning the Image
- Reconfiguring a Piece
- The Winter Landscape and The Pervading Neutral
Deane G. Keller
Denman Ross
- A Substitute for White- Denman Ross and the Use of a Lightener
- Color Progression through Semi-Neutrals
- Denman Ross’ Rubens Palette 10
- Denman Ross, a Palette Highlighting Color Temperature
- Henri and Denman Ross
- Night Painting
- Re-Formatting Denman Ross’ Palette IV
- Robert Henri’s Interest in the Semi-neutrals
- The Third Line
Edvard Munch
Edward Redfield
Eugene Delacroix
- A Gift
- Building Up to Color
- Color Practice: Similarities between Henri and Delacroix
- Delacroix’s Calculated Lapses
- Delacroix’s Drawing Method
- Delacroix’s Obsession with Effect
- Delacroix’s Palette for the “Nymph”
- Delacroix- From Experience to Theory and Back
- Does it have life?
- Experience and Validation
- Henri and the Legacy of Delacroix
- Lacuna
- Memoria and the Underworld
- Neutrals in the Practice of Henri and Delacroix
- On the Shores of Cape Cod
- Palette of Nov. 2019
- Re-Formatting Denman Ross’ Palette IV
- Robert Henri and the Attentive Mind
- Studies in Simultaneous Contrast
- Successes and Failures
- The Transformative Aspect of Matter
Federico Garcia Lorca
- In Search of Image
- Lorca’s Duende and the Formation of Image
- Material Imagination
- Memento Mori
- Negative Capability from Ibn Arabi to Keats to Henri
- On Risk and the Attentive Mind, Part 2
- Recognizing the Duende in One’s Own Work
- The Archetype of Inspiration
- The Human Voice – Lorca and Ibn Arabi
Frans Hals
- Figure Painting and Palette Development Workshop
- Frans Hals and a Simple Palette
- Late Works
- Limitation as a Creative Tool
- The Complexity of Color
- The Nuance of Line
- The Singular and the Particular
- The Visual Innovation of Frans Hals
Frederick Waugh
Gaston Bachelard
- A Vertical Axis
- An Enduring Childhood
- An Object of Significance
- Art and the waking dream
- Blake, Neo-Platonism and the Material Imagination
- Dynamic Receptivity
- Dynamic Symmetry and William Blake
- Material Imagination
- Material Imagination – A Call to Depth
- Material Memory
- Memoria and the Underworld
- Open Imagination (Bachelard, Rimbaud and Baudelaire)
- Re-evoking Childhood Memories Through Images
- Reciprocity of Dream and Work
- William Morris, Art and Labor Part 2
George Bellows
- Bellows and the Pervading Neutral
- Building Up to Color
- Color Scales, Henri and the Winter’s Studio Group
- George Bellows – Colorist
- Goethe’s Theory of Colored Edges, Part II
- Neutrals in the Practice of Henri and Delacroix
- Robert Henri’s Permanent Palette of 1922
- The Supremacy of the Moment
Georges Seurat
H. G. Maratta
- A Discussion on the Spectrum Palette of Robert Henri
- A Substitute for White- Denman Ross and the Use of a Lightener
- Building Up to Color
- Color Progression through Semi-Neutrals
- Color Scales, Henri and the Winter’s Studio Group
- Figure Painting and Palette Development Workshop
- Frans Hals and a Simple Palette
- Henri’s Early Palettes of Color Analogies
- Henri’s Exploration of Color Intensity
- Palette of Nov. 2019
- Robert Henri’s Interest in the Semi-neutrals
- Robert Henri, a Study, and the Triangular Palette
- Robert Henri’s Permanent Palette of 1922
- Sloan and Henri and the use of H.G. Maratta’s Color Theory
- Studies in Simultaneous Contrast
- The Artists’ Concern for Analogical Relationships
- The Late Palettes of Robert Henri
- The Third Line
- The Triangular Palette of Robert Henri
Henry Corbin
Ibn Arabi
- My Fancy
- Negative Capability from Ibn Arabi to Keats to Henri
- The Artists’ Concern for Analogical Relationships
- The Human Voice – Lorca and Ibn Arabi
- The Transformative Aspect of Matter
James Abbott Mcneill Whistler
Jay Hambridge
Johann Wolfgang von Goethe
- An Experiment in Colored Edges and Halos
- Color Spectrum Recession, the Cool Side
- Goethe’s Theory of Colored Edges
- Goethe’s Theory of Colored Edges, Part II
- Intensity Palette- A New Investigation
- Open Memory and Books
John Constable
John Keats
- In Search of Image
- Inness’ Unity of Vision
- Keats and the Central Question of Beauty
- Negative Capability from Ibn Arabi to Keats to Henri
- Negative Capability- Keats and the Mystery of Creativity
John Singer Sargent
- Achieving Luminosity
- Clouds and Color Temperature
- Color and the Use of Memory
- Inness and an Open Experience
- Value vs. Temperature
John Sloan
- A Practical using Spectrum Color Recession
- Color Scales, Henri and the Winter’s Studio Group
- Color Spectrum Recession, the Cool Side
- Color Studies
- Sloan and Henri and the use of H.G. Maratta’s Color Theory
- Spectrum Color Recession
- The Triangular Palette of Robert Henri
Jonas Lie
Jules Verne
Michel Eugene Chevreul
- A Practical using Spectrum Color Recession
- A Theory of Colored Edges
- Color Composition as Seen Through The Eyes of Robert Henri-Part 2
- Color Spectrum Recession, the Cool Side
- Delacroix’s Palette for the “Nymph”
- Delacroix- From Experience to Theory and Back
- Figure Painting and Palette Development Workshop
- Goethe’s Theory of Colored Edges
- Henri’s Early Palettes of Color Analogies
- Intensity Palette- A New Investigation
- Intensity Palettes of Robert Henri: Practical
- Neutrals in the Practice of Henri and Delacroix
- Palette of Nov. 2019
- Studies in Simultaneous Contrast
- The Artists’ Concern for Analogical Relationships
- The Elusiveness of Autumn, Color and the Landscape
- The Third Line
Neil Armstrong
Nicholas Ogden Rood
Paul Emile Lecoq de Boisbaudran
Peter Paul Rubens
- Delacroix’s Calculated Lapses
- Delacroix’s Palette for the “Nymph”
- Neutrals in the Practice of Henri and Delacroix
- The Power of The Neutral
Rainer Maria Rilke
Ralph Waldo Emerson
- A Master in the World
- Evoking more than the personal
- The Heroic Feminine
- The Singular and the Particular
Rembrandt
Rene Daumal
Robert Creeley
Robert Henri
- A Color Temperature Practical
- A Color Triad – Practical
- A Discussion on the Spectrum Palette of Robert Henri
- A Master in the World
- A Substitute for White- Denman Ross and the Use of a Lightener
- A Theory of Colored Edges
- A Theory of Triads
- Analogies in the Key of Green
- Art and the waking dream
- Bellows and the Pervading Neutral
- Building Up to Color
- Clouds and Color Temperature
- Color and the Use of Memory
- Color Composition as Seen Through The Eyes of Robert Henri-Part 2
- Color Composition Seen Through The Eyes of Robert Henri
- Color Mixing (and an Opportunity for Reverie)
- Color Practice: Similarities between Henri and Delacroix
- Color Scales, Henri and the Winter’s Studio Group
- Color Spectrum Recession, the Cool Side
- Color Studies
- Color Temperature and The Super Color
- Creating Harmonics within a Chord
- Delacroix’s Palette for the “Nymph”
- Denman Ross’ Rubens Palette 10
- Denman Ross, a Palette Highlighting Color Temperature
- Envisioning the Image
- Figure Painting and Palette Development Workshop
- Frans Hals and a Simple Palette
- Henri and Denman Ross
- Henri and the Legacy of Delacroix
- Henri’s Early Palettes of Color Analogies
- Henri’s Exploration of Color Intensity
- Immensity and the Largeness of Effect
- Inness and an Open Experience
- Intensity Palette- A New Investigation
- Intensity Palettes of Robert Henri: Practical
- Late Works
- Limitation as a Creative Tool
- Negative Capability from Ibn Arabi to Keats to Henri
- Neutrals in the Practice of Henri and Delacroix
- Night Painting
- On the Shores of Cape Cod
- Palette of Nov. 2019
- Re-Formatting Denman Ross’ Palette IV
- Robert Henri – The Last Works
- Robert Henri and the Attentive Mind
- Robert Henri’s Interest in the Semi-neutrals
- Robert Henri, a Study, and the Triangular Palette
- Robert Henri’s Permanent Palette of 1922
- Seeing The Whole
- Sloan and Henri and the use of H.G. Maratta’s Color Theory
- Studies in Simultaneous Contrast
- Successes and Failures
- The Acuity of Memory
- The Artist’s Reverence
- The Artists’ Concern for Analogical Relationships
- The Complexity of Color
- The Elusiveness of Autumn, Color and the Landscape
- The Late Palettes of Robert Henri
- The Nuance of Line
- The Painter’s Palette, Part 2
- The Power of The Neutral
- The Singular and the Particular
- The Supremacy of the Moment
- The Third Line
- The Triangular Palette of Robert Henri
- The Visual Innovation of Frans Hals
- Unifying the Autumn Landscape with a Super-Color
- Value vs. Temperature
Rockwell Kent
- A Universal Presence
- Immensity and the Largeness of Effect
- Maine and the Visual Imagination
- Material Memory
Rumi
- In Search of Image
- Lacuna
- Maine and the Visual Imagination
- Negative Capability from Ibn Arabi to Keats to Henri
Theodore Gericault
Thomas Eakins
Victor Hugo
Walt Whitman
- A Master in the World
- A New Way of Being in the World
- A Universal Presence
- My Fancy
- The Art of the Pochade, Color and Immediacy
- Transpersonal Experience and the Role of the Artist
William Blake
- A Matter of Perception
- Armstrong and The Precedence of The Imagination
- Blake, Neo-Platonism and the Material Imagination
- Does it have life?
- Dynamic Symmetry and William Blake
- Experience and Validation
- Imaginal Object, Imaginal Being
- Maine and the Visual Imagination
- The Cartography of the Waterfalls
- The Heroic Feminine
- The Singular and the Particular
William Morris
- An Appreciation of Art and Labor
- The Art of Craftsmanship
- William Morris, Art and Labor
- William Morris, Art and Labor Part 2
Winslow Homer